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Mardi Gras Secrets! and...Who is Blaine Kern?
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It's amazing how quickly you can cover 75,000 square feet.  But the overview, although quickly done, is thorough and packed with insights into Mardi Gras.

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We learn about 'krewes' which are clubs that sponsor parades.  The term "krewe" was coined in 1857, when the first one was formed by six upscale Orleanians.  Named the Mistick Krewe of Comus, it was secret and exclusive and threw a themed parade of floats, costumed riders and a tableau ball.

Not all krewes have parades or floats but those that do, pay an average of $30,000, for the float, but it lasts for 30 years, and can be redone, rejuvenated and even 're-themed'  indefinitely (at Mardi Gras World, of course).  

And if you think Mardi Gras is only on Bourbon Street, well try 70 groups throughout New Orleans!  Carnival celebrations fall into two categories: public and private. The private celebrations are balls, held by krewes. Some krewes let anyone join, while others are exclusive and made up mostly of FONOF (fine old New Orleans families).

We learn all kinds of Mardi Gras terms and words, such as  Bouef Gras, call-outs, Zulu, Courir du Mardi Gras and more. 

And then there's the story of the Mardi Gras theme song, If Ever I Cease to Love.  Back in the mid 1800's the Grand Duke Alexis of Russian attended a burlesque show while visiting New York, called "Bluebeard", and fell in love with one of the singers, Miss Lydia Thompson.  

A few years later, when the newly formed Rex Group (Rex, king of Carnival, or Rex - NEVER, King Rex or King of Rex) got wind that the Duke would attend Mardi Gras, they set the song to march time and it has been the season's song ever since.

Crammed with knowledge - tidbits is probably more appropriate - our guide sets us free and invites us to wander around for as long as we want, and encourages us to take lots of pictures.  

The whole thing is a bit overwhelming.  Everything is sooo big.  I'm 5'7" and I'm barely as tall as Marilyn Monroe's knee!   In the maze of amazing props, heads and 15 foot torsos, we watch the artists carefully and ceremoniously apply colors, shapes and personality.

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In the float artists' warehouse, workers are building and decorating spectacular floats.  Some have lots of glitz and glitter, some are whimsical and charming while others are patriotic and make statements.   

The really big floats take up the length of the entire room and some of them are broken into several sections for assembly in a larger space.

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After an hour of looking up and acting silly (it's an environment that brings out your most childish behavior), flashing photos for ourselves, and accommodating requests from others to get the snap for the family album, we leave Mardi Gras World 

Until now, I didn't have much interest in attending Mardi Gras.  But now...well, it's funny what a little knowledge will do.

Let's get some lunch and then see who's 'rising' at the cemetery.  


Let's go! 

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